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    Today I went to see "George Bellows 1882-1925 Modern American Life" at the Royal Academy of Arts. It's the first time I've been to the RA but I was emboldened by my art pass and the fact that Bellows was a contemporary of Edward Hopper, a painter whom I admire greatly. This is the first major retrospective of Bellows' work in the UK and taking in his wonderful paintings this afternoon, I felt a little embarrassed that I hadn't seen anything of his before.
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    It was quite hard to choose an 808 State album for the understated classics series for two reasons. The first is that I was introduced to 808 State quite late through a friend's sister's cassette copy of The Shamen's En-Tact (the original version recorded from vinyl that had a thirteen minute version of "Evil Is Eden") that also had -- to fill out the C90 -- the full length sweary version of "What Time Is Love?" by The KLF and four tracks: "Cubik", "Pacific", "Olympic" (I think...), and "In Yer Face".
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    This was a show that I had put off going to see for quite a while now. Looking online at the pictures featured in the show did not really excite me enough to get out and see it. I'd seen Whaam! before in isolation (it's part of the Tate collection and will no doubt return once the retrospective show is over) and it didn't really grab me, arresting as it is. However, with plenty of free time this week it was an ideal time to go see it and I was happy to be proved wrong.
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    "The Marriage Plot" by Jeffrey Eugenides is a novel about love and growing up set in the privileged world of US academia in the early eighties. The main plot concerns a love triangle involving two guys and a girl. Madeline Hanna, the girl at the apex of the love triangle, is the main focus of the novel and the majority of the novel is told from her standpoint. I think her sections are incredibly well written but I'd love the thoughts of a female reader, in case it is actually all a horribly male way of seeing through a young woman's eyes. In love with Madeline (and the guy that we meet first) is Mitchell Grammaticus, an overly deep guy who is terribly concerned about whether he is doing the right thing in the world. He thinks that religious studies is for him but later finds that it is harder to live up to your ideals than you first imagine.
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    I saw Star Trek: Into Darkness last night in 3D at the IMAX in Waterloo. I am going to have to separate this into a review into two parts, a review of the film and a review of the viewing experience. I am not completely happy with how the film experience is changed by the 3D and the super big screen and I will try to explain what I mean.
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    A while back, I decided I was going to write about the Iain M. Banks sci-fi-novels (mainly as a respite from having to read and write about J. G. Ballard novels, but I only got as fas as writing about the excellent “Against A Dark Barkground” and re-reading the first of the Culture novels “Consider Phlebas”. WARNING: Some plot spoilers follow (but not too many).